In her compositions, she seeks the connections between acoustic and synthetic sounds. This process is often rooted in rational tuning systems, through which she constructs rich, complex drone structures that highlight the power of microtonal, electroacoustic tensions.
Interactive sonification systems are another large part of her artistic practice. Between 2017 and 2022 Słyż conducted artistic research involving e.g. practical experiments on movement sonification and various types of interaction.
Her works have been presented at the most prestigious contemporary and experimental music festivals and in various major venues including: Rewire Festival; CTM; Aarhus Festival; Unsound; Fiber Festival; NODE; Warsaw Autumn; Kyiv Music Fest; ORF musikprotokoll; Open Source Art Festival; The Royal Concertgebouw; Fylkingen; Ancienne Belgique; Stadtcasino Basel, The National Polish Radio Symphony Orchestra; Kunsthalle Helsinki; Aarhus Domkirke; Meet Factory; Dom im Berg; MONOM; Kunsthal Gent.
Aleksandra’s compositions have been featured by exeptional contemporary orchestras and ensembles like the National Polish Radio Symphony Orchestra, the Basel Sinfonietta, the Sinfonietta Cracovia, the Orchestra of Futurist Noise Intoners or the Spoldzielnia Muzyczna contemporary ensemble.
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